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Genesis Flashback Review Units Were Faulty, Maker Says. Samples of the upcoming Sega Genesis Flashback console sent to media outlets last month had outdated firmware that caused game glitches, according to the manufacturer. It will send updated hardware to those outlets soon, it said. Much like the SNES Classic, the Sega Genesis Flashback is an HDMI- enabled, $7. Unlike SNES Classic, this one features Sonic the Hedgehog, Mortal Kombat, Phantasy Star, et cetera. Manufactured by At. Games, it is set to be released on September 2. Flashback units designated as reviewable went out to various media outlets including Kotaku. We have not run a review yet, but the outlets that did universally slammed the device. Gizmodo called it “hot garbage.” Gamespot said the games had “missing frames and choppy animation.” “More like trashback,” said IGN. I had similar problems with our review unit. The menus were unresponsive and clunky, but much worse than that, the games ran with significant lag. When I’d press the jump button in Sonic the Hedgehog, there would be a perceptible pause before Sonic would leap into the air. It wasn’t something I would have recommended. But I also saw that outlets like CNET were presenting their reviews with a caveat, that a “second review sample” was on the way that would ostensibly fix the issues with the device. I contacted At. Games, and a representative confirmed that this was true—the device should not have these issues.“A batch of our review units were accidentally shipped out with early software builds that do not represent the final version,” At. Games said. “We are working to get updated and correct final products in the hands of reviewers in the coming weeks.”Of course, none of the outlets that reviewed the Sega Genesis Flashback did anything wrong. They were sent units that were clearly marked as reviewable, with no qualifications, and they reviewed them. Given At. 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IT TOOK 1. 7 YEARS TO GET IT MADE. Spider- Man is about to launch his third big- screen franchise in 1. In 1. 98. 5, amid lagging studio interest in superhero movies (at the time the only major franchise was Superman, and his series was lagging), cult film powerhouse Cannon Films acquired the movie rights to the character from Marvel for $2. After several script attempts, Cannon folded, and producer Menahem Golan moved the rights to his successor company, 2. Century Films. By 1. Century was also finished, and Carolco Pictures picked up the rights, which they held until filing for bankruptcy in 1. The Spider- Man rights then went to MGM, but Marvel—which was undergoing bankruptcy troubles of its own—filed suit, claiming they were due the rights back because the original Carolco option had expired in the summer of 1. MGM put a film into production. Further complicating matters was the fact that 2. Century Film had, once upon a time, sold off home video and television rights to Columbia and Viacom, respectively. Finally, in 1. 99. MGM’s claim to Spider- Man. Marvel, with the rights back at home, struck a new deal with Sony Pictures, which released Spider- Man through Columbia Pictures in 2. JAMES CAMERON CAME CLOSE TO MAKING HIS OWN VERSION IN THE 1. S. Alberto E. Rodriguez/Getty Images for Cinema. Con. When Carolco secured the rights to Spider- Man, they handed the project over to James Cameron, fresh off the success of the Carolco- produced Terminator 2: Judgment Day. Cameron, a lifelong fan of the character, produced a 5. The scriptment, which included a romance with Mary Jane Watson and Spider- Man facing off against Cameron’s version of Electro, was well- received, and earned the director the approval of Spidey’s co- creator, Stan Lee. After turning in his version of the story, Cameron set off to make True Lies. In interviews to promote that film, Cameron seemed to indicate that his next project would indeed be Spider- Man, but Carolco’s bankruptcy halted those plans, and he moved on to Titanic instead. SEVERAL MAJOR DIRECTORS WERE CONSIDERED. By the time Columbia began production, Cameron was no longer interested in Spider- Man, preferring instead to devote himself to his own original creations. Hoping to land a big- time director for their big- time film, Columbia considered Roland Emmerich, Chris Columbus, and David Fincher, who wanted to gloss over Spider- Man’s origin and focus on the famous Death of Gwen Stacy storyline from the comics.“My impression [of] what Spider- Man could be is very different from what Sam [Raimi] did or what Sam wanted to do. I think the reason he directed that movie was because he wanted to do the Marvel comic superhero. I was never interested in the genesis story,” Fincher told io. I couldn't get past a guy getting bit by a red and blue spider. It was just a problem … It was not something that I felt I could do straight- faced. I wanted to start with Gwen Stacy and the Green Goblin, and I wanted to kill Gwen Stacy.”Eventually, the job was given to The. Evil Deaddirector Sam Raimi, who impressed executives with his passion for the classic Marvel Comics version of the character. THE GREEN GOBLIN WAS NOT THE ORIGINAL VILLAIN. Though Willem Dafoe’s Green Goblin is as much an essential part of the film now as Spider- Man himself, he was not the original choice for the webslinger’s nemesis. Back in the days when Cannon was going to produce the film, original drafts featured Doctor Octopus as the main antagonist. James Cameron ditched that idea and concocted his own version of Electro, with the Sandman as his sidekick. When Sony and Columbia began developing their version, screenwriter David Koepp introduced the Green Goblin, which Raimi favored because of his personal connection (being the father of Peter Parker’s best friend Harry Osborn) to Spider- Man’s alter- ego Peter Parker. Initially, the Columbia version was planned to feature the Goblin with Doctor Octopus as a secondary villain, but Raimi nixed that idea, believing that introducing two supervillains and a superhero in the same movie would have “compromised” all three characters. Doctor Octopus wound up being the main villain in Raimi’s Spider- Man 2, and the Sandman appeared in Spider- Man 3. Electro also eventually got his big- screen moment, appearing in The Amazing Spider- Man 2 in 2. IT CHANGES A KEY COMPONENT OF SPIDER- MAN’S ORIGIN. When Cameron composed his treatment for the film in the early 1. Spider- Man’s origin and power set: his webshooters. In the comics, Peter Parker fashions the webshooters himself, using a super- strong, super- sticky fluid of his own design, but in Cameron’s version, the webs are organically produced by Peter’s body after he gains his powers. Raimi liked Cameron's idea, and opted to keep it.“He sticks to walls; he can leap; why does he then have to invent a web fluid?” Raimi said in an interview with Fangoria. Why not just mutate him far enough into a spider to produce webbing?”6. TOBEY MAGUIRE WAS NOT THE STUDIO’S FIRST CHOICE FOR PETER PARKER. When casting the lead role of Peter Parker/Spider- Man, Columbia initially seemed to be looking for a more classic leading man type, considering stars including Colin Farrell, Heath Ledger, Ewan Mc. Gregor, Scott Speedman, and Wes Bentley. Raimi, on the other hand, wanted Tobey Maguire—and eventually got his way after the star turned in some convincing screen tests. After an intense diet and exercise regimen to give him a superhero body, Maguire was ready for the part. WILLEM DAFOE WAS NOT THE ONLY CHOICE FOR THE GREEN GOBLIN. In casting Spider- Man’s nemesis, the studio looked at several major stars with villainous expertise, including Nicolas Cage and John Malkovich, who turned down the role for a number of reasons."It was everything," Malkovich told. Empire in a 2. 00. Way too much time, not enough money, not enough of anything. I mean, if I'd have loved it, obviously I would have done it, but those sort of films aren't art films, they're business propositions."Willem Dafoe eventually won the role. THE CGI SPIDER- MAN FOOLED STUDIO EXECUTIVES. One of the chief hurdles in producing Spider- Man was creating the convincing illusion of a man swinging between New York City skyscrapers. The production called on Industrial Light & Magic pioneer John Dykstra, who realized that some shots would require a fully computer- generated version of the title character. The shots Dykstra and his team came up with were so convincing that producer Laura Ziskin decided to see if they could fool Columbia chair Amy Pascal and Sony chair John Calley.“I called up John Calley and Amy Pascal and told them we’d put Tobey [Maguire] in the suit and had him crawling up a building, and we’d shot a test and wanted to show them,” Ziskin recalled. We went to the screening room and I showed the test of CGI Spider- Man—they thought it was Tobey! Then I told them that was the computer- generated Spider- Man.”9. SEVERAL SPIDER- SUITS WERE STOLEN FROM THE PRODUCTION. Making Spider- Man was a massive undertaking involving 1. It also required several costumes for Maguire, four of which went missing from a locked building on the Sony Pictures lot. The handmade suits were valued at around $5. Sony was very eager to get them back. Eventually, a former Sony security guard was caught after authorities received a tip from his ex- wife. When his home was searched, police also discovered that he’d stolen a $1. Batman costume from the Warner Bros. A SHOT FROM ANOTHER SAM RAIMI FILM APPEARS IN THE MOVIE. Raimi originally intended to shoot all- new material for the sequence early in the film in which Peter Parker has a fever- addled nightmare the night after his life- altering spider bite. Budgetary restraints prevented this, so Raimi instead cut together shots from the film’s opening, along with one from his 1. Darkman. 1. 1. THE WORLD TRADE CENTER WAS CUT FROM MARKETING MATERIALS AFTER 9/1. The very first teaser trailer for the film, released in the summer of 2. Twin Towers of the World Trade Center. The teaser was a major hit, but after the tragedy of September 1. Super Mario 6. 4 - Wikipedia. Super Mario 6. 4[a] is a 1. ![]() Super Mario Flash 3 (as of currently unmade sequel to SMF2 and 3rd addition of the Super Mario. It’s been many years since the original 3DS launched. There’s a new version with better 3D, improved controls, and of course, a wealth of excellent games to play. Nintendo for the Nintendo 6. It is the first Super Mario game to utilize three- dimensional (3. D) graphics. Along with Pilotwings 6. It was released in Japan on June 2. North America, Europe, and Australia. It is the best- selling game on the Nintendo 6. An enhanced remake called Super Mario 6. DS was released for the Nintendo DS in 2. In the game, Mario explores Princess Peach's castle and must rescue her from Bowser. As one of the earlier 3. D platform games, Super Mario 6. Dpolygons as opposed to only two- dimensional (2.
D) sprites. The game established a new archetype for the 3. D genre, much as Super Mario Bros. D sidescrolling platformers. In the evolution from two dimensions to three, Super Mario 6. While doing so, it still preserves many gameplay elements and characters of earlier Mario games,[6] and the same visual style.[7]The game has left a lasting impression on 3. D game design, which featured a dynamic camera system and implemented a 3. The title is acclaimed by many critics and fans as one of the greatest and most revolutionary video games of all time.[1. Gameplay. Courses like Whomp's Fortress require the player to navigate chasms. Super Mario 6. 4 is a 3. Dplatformer where the player controls Mario through several courses. Each course is an enclosed world in which the player is free to wander in all directions and discover the environment without time limits. The worlds are filled with enemies that attack Mario, as well as friendly creatures that provide assistance, offer information, or ask a favor (such as pink "peace- loving" Bob- omb Buddies). The player gathers stars in each course; some stars only appear after completing certain tasks, often hinted at by the name of the course. These challenges include defeating a boss, solving puzzles, racing an opponent, and gathering coins. As more stars are collected, more areas of the castle hub world become accessible.[1. The player unlocks doors in the castle with keys obtained by defeating Bowser in special courses.[1. There are many hidden mini- courses and other secrets to the game, most containing extra stars required for the full completion of the game. There are three special cap power- ups appear in certain areas on many stages. The Wing Cap allows Mario to fly; the Metal Cap makes him immune to most damage, allows him to withstand wind, walk underwater, and be unaffected by noxious gases; and the Vanish Cap renders him partially immaterial and allows him to walk through some obstacles such as wire mesh, as well as granting invulnerability to some forms of damage.[1. Some courses contain cannons that Mario can access by speaking to a pink Bob- omb Buddy.[1. After entering a cannon, Mario can be shot out to reach distant places. When the player has the Wing Cap equipped, cannons can be used to reach high altitudes or fly across most levels quickly. Mario's abilities in Super Mario 6. Mario games.[1. 9] The player can make Mario walk, run, jump, crouch, crawl, swim, climb, kick, or punch using the game controller's analog stick and buttons. Special jumps can be executed by combining a regular jump with other actions, including the double and triple jumps (jumping two and three times in a row, respectively), long jump and backflip. There are also special maneuvers, such as wall jumping—jumping from one wall to another in rapid succession to reach areas that would otherwise be too high.[1. The player can pick up and carry certain items, an ability which is used to solve various puzzles, and swim underwater at various speeds. Mario's life energy slowly diminishes while underwater, representing how long he can hold his breath.[1. Plot and setting. Super Mario 6. 4 is set in Princess Peach's Castle, which consists of three floors, a basement, a moat, and a courtyard. The area outside the castle is an introductory area in which the player can experiment, testing his or her player skills. Scattered throughout the castle are entrances to courses via secret walls and paintings.[1. Super Mario 6. 4 begins with a letter from Princess Peach inviting Mario to come to her castle for a cake she has baked for him.[2. However, when he arrives, Mario discovers that Bowser has invaded the castle and imprisoned the princess and her servants within it using the power of the castle's 1. Power Stars. Many of the castle's paintings are portals to other worlds, in which Bowser's minions keep watch over the stars. Mario explores the castle for these portals to enter the worlds and recover the stars. He gains access to more rooms as he recovers more Power Stars, and eventually traverses three different obstacle courses, each leading to its own battle with Bowser. Defeating Bowser the first two times earns Mario a key for opening another level of the castle. After Mario defeats Bowser in the final battle, Peach is released from the stained- glass window above the castle's entrance. Peach rewards Mario by kissing him on the nose and baking the cake that she had promised him.[1. Development. Producer and director Shigeru Miyamoto conceived a 3. D Mario concept more than five years prior, while working on the Super Nintendo Entertainment System (SNES) game Star Fox, developed by Nintendo with Argonaut Software.[2. He considered using the Super FX chip to develop a SNES game to be called Super Mario FX,[2. Nintendo 6. 4 (N6. N6. 4's improved power, but because its controller has more buttons for gameplay.[1. According to former Argonaut engineer Dylan Cuthbert, no game titled Super Mario FX entered development, and "Super Mario FX" was used as the internal code name of the Super FX chip itself.[2. According to Argonaut founder Jez San, Super Mario 6. Argonaut game starring the Mario character Yoshi, which later became the 1. Croc: Legend of the Gobbos.[2. The development of Super Mario 6. Development began with the characters and camera system. Miyamoto and the other designers were unsure of which direction the game should take; months were spent selecting a camera view and layout.[2. The original concept involved the game having fixed path like an isometric type game (similar to Super Mario RPG), before the choice was made to settle on a free- roaming 3. D design.[2. 8] Although the majority of Super Mario 6. Bowser encounters. One of the programmers, Giles Goddard, explained that these linear elements survived as a means to force players into Bowser's lair rather than encourage exploration.[2. D graphics were created using the Nichimen N- World toolkit running on a Silicon Graphics workstation.[2. The team placed high priority on Mario's movement, and before levels were created, they tested and refined Mario's animations on a simple grid. The first test scenario for controls and physics involved Mario interacting with a golden rabbit, "MIPS", named after the Nintendo 6. MIPS architecture CPU; MIPS was included in the final version of the game. The developers tried to implement split- screen co- op using Mario and Luigi; the two characters would start at separate points in the castle and work their way through the game together. However, the developers were unable to make the gameplay work.[3. To assist players with depth perception, the team positioned a shadow directly beneath each object regardless of the area's lighting. Developer Yoshiaki Koizumi described the feature as an "iron- clad necessity" which "might not be realistic, but it’s much easier to play."[3. Miyamoto's guiding design philosophy was to include more details than earlier games, featuring "an entire world in miniature, like miniature trains" with "all the emotions of the characters". He likened the game's style to a 3. D interactive cartoon.[3. 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If Roy Moore becomes Alabama’s next senator, he can bring his gun to the Capitol, but it can’t be loaded and must be securely wrapped. The gun- toting, Bible- quoting, conservative firebrand will likely shake up the Senate whether he can wave his firearm around or not. Moore, the former chief justice of the Alabama Supreme Court, made headlines this week when he took out his gun at a campaign rally the night before the Republican primary runoff in the race to succeed former Sen. Jeff Sessions, who is now attorney general. It was not the first time Moore brought out a gun at a campaign event. But on Monday he did so to defy accusations, levied by allies of GOP leaders who did not support his candidacy, that he does not support the Second Amendment. Top VIdeos. Warning: Invalid argument supplied for foreach() in /srv/users/serverpilot/apps/jujaitaly/public/index.php on line 447. Download the free trial version below to get started. Double-click the downloaded file to install the software. Blasting Material /Abrasive Material/ Blasting Media. Once you have determined the general type of sandblasting equipment that is best for your needs, it is very. Overcoming the millions of dollars spent on attack ads against him, Moore sailed to victory Tuesday night. He defeated Sen. Luther Strange, who had been appointed to the seat. Moore is favored to win the Dec. Even more » Account Options. Sign in; Search settings.![]() Republican state, despite some of his controversial past comments. He will face Democrat Doug Jones, a former U. S. attorney. Moore is well known in the Yellowhammer State. He gained national attention in the mid- 2. Ten Commandments monument at the state’s Supreme Court. Inside Elections with Nathan L. Gonzales rates the race Likely Republican. How exactly Moore would fit into the GOP conference remains to be seen, but some lawmakers said the outspoken former judge might have a tough time finding his stride as one of 1. I think it’s going to be a difficult transition,” Alabama GOP Rep. Gary Palmer said. As a judge he had a gavel. And over there he’s not going to have a gavel.” Moore is likely to be a thorn in the side of leadership, particularly Senate Majority Leader Mitch Mc. Connell. The Senate Leadership Fund, a super PAC aligned with the Kentucky Republican, spent $5 million in the runoff to defeat Moore, which enraged the former judge.“I don’t know Mitch Mc. Connell at all,” Moore said in an interview in August after the super PAC launched its first ad against him. Why he’s so passionate about me not coming to Washington, I don’t know. Perhaps he realizes I won’t be controlled.”Though it’s still not clear what tack Moore would take once in the Senate, he owes Mc. Connell — and President Donald Trump — nothing. He would give Mc. Connell, who operates with a razor- thin Republican majority, even less wiggle room than he currently has on tough negotiations, from a tax overhaul to government spending deals to any future efforts on health care.“It’s already challenging to get stuff done,” said GOP lobbyist Kathryn Lehman, a former congressional leadership aide who is now with the law firm Holland & Knight. I can’t imagine this makes it any easier.”Moore campaigned hard against his party’s congressional leadership, especially Mc. Connell. He told a cheering crowd the night before the runoff, “Mitch Mc. Connell needs to be replaced.”Moore has also railed against the D. C. groups that backed Strange in the race, such as the U. S. Chamber of Commerce. While Trump endorsed Strange, Moore has been careful to note that he still supports the president.“I think [Moore] could be a problem for the current leadership,” said Republican lobbyist Sam Geduldig of the CGCN Group. Geduldig noted, however, that other Senate candidates who have run as outsiders, such as Republican Sen. David Perdue of Georgia, have settled into the party’s majority.“So there’s a path back, if he chooses to take it,” he said. But Moore has indicated that he could choose a different path. He has already shown early signs of aligning with conservative senators who have defied party leadership. Moore spoke with GOP Sens. Mike Lee of Utah, Ted Cruz of Texas and Rand Paul of Kentucky on Tuesday night after he won the runoff. All three have been known to buck leadership and hold up Senate business. In his victory speech, Moore said they were “three senators who are important in our government.”Moore could also find allies on the other side of the Capitol Dome. House Freedom Caucus Chairman Mark Meadows endorsed Moore in the runoff, and Meadows’ deputy chief of staff, Wayne King, tweeted from behind the scenes at Moore’s victory rally Tuesday night.“Roy Moore’s not conventional. He’s Roy Moore, he’s unique,” said Alabama’s senior GOP senator, Richard C. Shelby. Shelby said Moore would likely join four or five senators “that we already have here that are challenging everything.”For an example of what Mc. Connell might have to deal with in Moore, look at the majority leader’s relationship with Paul, his fellow Kentucky Republican. Mc. Connell opposed Paul, who has deep ties to the tea party movement, in the state’s 2. GOP primary race. The two have grown cordial, but Paul opposed the recent GOP health care effort. Moore reportedly would have also opposed the health care plan if he was in the Senate. He has decried what he views as government spending run amok, which could indicate a potential unwillingness to support government funding bills and raising the debt limit. Insiders still expect Moore to be a reliable GOP vote in most cases.“As a conservative, we expect Roy Moore to vote largely in line with the Republican agenda and certainly President Trump’s agenda,” said Brian Walsh, a former aide to the Senate’s No. Republican leader, John Cornyn of Texas. As for Moore’s attacks on the party’s congressional leaders, “no one on the leadership end takes that personally,” added Walsh, who is with the public affairs firm Rokk Solutions. Moore also sports a controversial streak that could well turn the spotlight on himself, and away from his party’s policy goals. He vehemently opposes same- sex marriage and once said homosexual acts should be illegal. Recently, discussing race relations, Moore seemingly referred to Native Americans and Asians as “reds and yellows.”Alabama Republican Rep. Bradley Byrne said Moore is “very concerned about social issues, and I think he would continue to be very forceful in speaking out on those.” “But you know a lot of what we do up here has nothing to do with social issues,” said Byrne, who did not endorse in the primary. So the struggle for him is going to be to get on top of those issues, and he’s going to have to have a really good staff to help him with that, which is true for all of us.”In other words, Moore is expected to stick to his guns. And as for his actual gun? A Capitol Police spokeswoman said there is a 1. Capitol Police Board regulation that permits members of Congress to have firearms in their offices. Lawmakers can transport firearms within the Capitol grounds if they are unloaded and “securely wrapped.”Lindsey Mc. Pherson contributed to this report. Get breaking news alerts and more from Roll Call on your i. Phone or your Android. How to Sandblast | Sandblast, Sandblasting, Sodablast, Sodablasting. What is Sandblasting? Sandblasting is the “generic” term for abrasive blasting. This terminology resulted because sand was the first abrasive material used in a blasting process over 1. This is ironic, in that the use of actual silica sand is never recommended due to its health hazards. Sandblasting or abrasive blasting (also referred to as media blasting) is the operation of forcibly propelling a stream of abrasive material against a surface under high pressure to smooth a rough surface, roughen a smooth surface, shape a surface, or remove surface contaminants and paints/coatings. Compressed air is typically used to propel the blasting material (often called the media). There are several variants of the process, such as soda blasting, bead blasting, and shot blasting. To keep things simple, we will mostly refer to the generic terms “sandblasting” and “sandblaster”, although most of what follows applies all of the variants mentioned above. Also, please realize that the information given here is by no means a comprehensive guide to sandblasting. Think of it as an introduction to sandblasting for people who have never done it before, or who have an interest in finding out if sandblasting is right for doing their kind of work. Before we go much farther, it is very important to remember that your air compressor is the most important component of your entire sandblasting system. The production rate, efficiency and cost per square foot of sandblasting are highly influenced by the volume (CFM) and pressure (PSI) of compressed air maintained through the blast nozzle of your sandblaster. We will get into more about this as we go on, but please keep this in mind. Types of Sandblasters. There are two general types of sandblasters: portable and cabinet. As the name suggests, a portable blaster can be moved around a work area, or taken to a remote location, if desired. A cabinet is a fixed, enclosed unit, which is placed in a fixed location like a workshop or garage. There are two general kinds of sandblasting cabinets cabinets: siphon cabinets (sometimes referred to as suction cabinets) and direct pressure cabinets. In general, a siphon cabinet is less expensive to purchase than a direct pressure system and has lower maintenance costs. Production rates are not as high as with a direct pressure cabinet. If you are a typical hobbyist or a business, requiring occasional use, a siphon system will usually work out just fine for you. If you are a high volume production business or an individual requiring faster production rates you may want to consider a direct pressure system. Whether you use a siphon or a direct pressure cabinet, you will need a dust collector, which attaches to the cabinet and removes airborne dust and debris from the cabinet, giving you clear visibility inside the cabinet. You can’t get much work done if you can’t see what you are doing! There are also recycler style dust collectors available, which filter out debris and dust and recycle good media back into the cabinet. The first step in learning how to sandblastis to determine what type of work you want to do. Based on the answer to that question, you can determine what kind of equipment you need. For example, if you want to strip paint from a surface, which is too large to fit inside a sandblasting cabinet, you will need to use a portable sandblaster. If you want to sandblast parts and pieces inside your garage or workshop, you may want to use a sandblasting cabinet. If you are unsure of exactly what equipment would work best for your individual needs and budget, it’s best to get advice from an expert. One of the best is ACE Automotive Cleaning Equipment out of Michigan. They make high quality, affordable sandblasting equipment of all kinds, and have years of experience in helping people with their sandblasting and soda blasting needs. Blasting Material /Abrasive Material/ Blasting Media. Once you have determined the general type of sandblasting equipment that is best for your needs, it is very important to determine the best type of blasting material (media blasting) for the specific kind of work you want to do. You also need to determine the best grit size to use for your job. Do you want to clean up heavily rusted metal, or do you want to strip the finish from a wooden chair? Do you want to remove bottom paint from a fiberglass boat without harming the gelcoat, or do you want to etch a design in a piece of granite or glass? There are many different types of blasting materials, each with its own pros and cons depending on the type of work you want to do. Although sandblasting is one of the generic terms for abrasive blasting or media blasting, you should never actually use any type of silica sand to sandblast! Silica sand can cause a type of lung disease called silicosis. Some of the most popular blasting materials are aluminum oxide, glass bead, silicon carbide, and baking soda (sodium bicarbonate). Aluminum oxide would be a good choice for cleaning that heavily rusted metal, but you might very well blow a hole in that fiberglass boat bottom with it. Soda blastingwould be best for stripping the paint off of the fiberglass boat bottom, but would not remove that heavily pitted rust (although a mixture of 8. Here is a general application guide for abrasive materials. It is for comparative purposes only: Blasting material normally comes in different grit sizes. The higher the grit size is numerically, the finer the particle size. The lower the grit size, the coarser the particle size. Lower grit sizes are more aggressive, in general, than higher grit sizes of the same blasting material. For example, Aluminum Oxide 6. Aluminum Oxide 1. It’s important to use the correct material in the correct grit size to properly do your work. Again, if you aren’t sure about what blasting material to use for your type of work, get a recommendation from an expert. It will save you a lot of time, frustration, and money versus trying to guess, if you are not sure. Air Compressors / CFM / PSIGetting back to air compressors, all sandblasting equipment must have the required air pressure, usually referred to as PSI (pounds per square inch) and the proper volume, usually referred to as CFM (cubic feet per minute) to operate properly. All air compressors are rated by these factors. In the specifications for an air compressor you will see these ratings expressed as “x” cfm at “y” psi. Make sure that your air compressor can generate at least the minimum required volume of air (cfm) that your sandblaster requires, and more than the minimum cfm is generally better. For example, if your sandblaster requires 1. It’s alright if it generates more than 1. Keep in mind that the velocity of the abrasive material, as it leaves the blast nozzle, and the efficiency of the sandblasting process are going to be reduced by a little over 1% for every pound of pressure drop below the ideal blasting pressure. So if you are trying to blast at 1. Also remember that the cfm output of your air compressor will determine the size of the nozzle you can use with your sandblaster. In other words, if you have enough cfm to maintain blasting pressure with a certain nozzle size, you may or may not have enough cfm to blast with the next bigger nozzle size, without experiencing a pressure drop. With respect to air pressure, most sandblasters have an adjustable pressure regulator, which is used to set the final blasting pressure. So if your air compressor is capable of 1. Here are the typical blasting pressure ranges (in psi) for some of the most popular sandblasting materials: Aluminum Oxide 2. Glass Beads 2. 0- 5. Baking Soda 1. 0- 1. Silicon Carbide 2. Black Beauty Slag 9. Agricultural Shells 1. Steel Shot 2. 0- 9. If you are unsure about what psi to use, just start out at a low blasting pressure on the adjustable pressure regulator and work your way up until you get the result you desire. But keep in mind that blasting at high pressure uses more material per minute and breaks the material down faster, if you are using a reusable type. So for example, if you are blasting with glass beads and getting good results at 4. You may get slightly more productivity, if any, but you will use up your media quicker. There is a tradeoff. Moisture Control. Moisture in compressed air used for sandblasting, media blasting, and soda blasting creates never ending problems. |
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